Art and Its Validation in Fairy Tales: Viewing Upendrakishore Ray Chowdhury’s Goopy Gyne Baagha Byne as a Fairy Tale

English Literature
Peer-Reviewed
Open Access
Crossref DOI
Art and Its Validation in Fairy Tales: Viewing Upendrakishore Ray Chowdhury’s Goopy Gyne Baagha Byne as a Fairy Tale
Aayushi Tripathi
GGS Indraprastha University, Delhi; Research Scholar, USHSS, PhD English
Open Access
CC BY 4.0
Crossref Member
Journal Galaxy: International Multidisciplinary Research Journal
ISSN 2278-9529
Volume / Issue Vol. 15, Issue 2  •  March 2026
Pages 60-70
Article ID 2026152009
DOI https://doi.org/10.66376/galaxy.v15.n2.5
License CC BY 4.0  •  Open Access

Abstract

Goopy Gyne Baagha Byne, written by Upendrakishore Ray Chowdhury, is a celebrated Bengali fantasy narrative that blends folklore, imagination, and artistic aspiration. This paper examines the tale as a fairy/wonder story through the structural framework of Vladimir Propp and the psychological insights of Bruno Bettelheim. It argues that the journey of Goopy and Baagha represents the artist’s search for recognition and validation. Their exile, magical encounter with ghosts, and eventual reward follow classical fairy-tale functions while highlighting creativity, friendship, and resilience. The story ultimately portrays art as both a transformative force and a source of identity, offering young readers imaginative freedom and deeper reflections on creativity and self-discovery.

Keywords

Fairy TalesChildren’s LiteratureFolkloreNarrative StructureArtistic ValidationBengali Literary TraditionImagination and Creativity

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Citation
Aayushi Tripathi. “Art and Its Validation in Fairy Tales: Viewing Upendrakishore Ray Chowdhury’s Goopy Gyne Baagha Byne as a Fairy Tale.” Galaxy: International Multidisciplinary Research Journal, vol. 15, no. 2, Mar. 2026, pp. 60-70. DOI: 10.66376/galaxy.v15.n2.5.
Open Access
CC BY 4.0
Crossref Member

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